Tag Archives: China Mieville

Big News

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First, the big news (why keep you all waiting?): I finally get to announce that my fantasy novel, Elementari Rising, will be published by Pink Narcissus Press in 2014. I am so excited that this manuscript I’ve worked on for so long is going to be a book! If you want to check out the prologue, go visit my website (it will be up soon). You can also see what short stories I’ve published lately under the News section (with links to the stories).

It’s been a while since I posted, I know, and that is only because of one insane semester. I traveled to NYC in September to give a talk on the grotesque at William Paterson University, and then came back and worked furiously to get Paul D. Miller to come to the CU campus in the Spring. And in a few days, I’m hopping another plane to give a lecture on fairy tales and art in Theodora Goss’s Fairytales and Literature class at Boston University. Then I’ll pop over to NYC to attend exhibits and finally go to the Quay Brothers retrospective at the MOMA.

And there’s a new issue of Origin Magazine that has my interview with China Miéville, wherein he discusses, art, politics, and of course, the fantastic in literature. You can pick up a copy at your local Whole Foods or Barnes and Noble.

And keep an eye out for two poems of mine that I believe will be appear in Strange Horizions this month.

The Art of Tim Noble & Sue Webster and a Great Review

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On the side of Jake Walks bar

I am typing this from a NYC coffee shop–I just got in on Sunday, July 16 after a great time at Readercon, a literary conference that features writers of speculative fiction. I’ll stay here until the 3st, before going back to Colorado. Am here to meet with my artist and writer community and just recharge a bit. Also, there is a Readercon report from me over at Fantasy Matters. If you’ve never attended this wonderful writer conference, then I think my post will give you many reasons (or at least a few) on why you should give it a try.

As for art news: check out the work of Tim Noble and Sue Webster at Weird Fiction Review. I saw their exhibit Turning the Seventh Corner last May in Berlin, and so was quite excited to finally write about their work.

Also, Carrie Ann Baade and I found out that our Cute and Creepy catalogue got a very nice review by the Art Libraries Society of North America.

And back to writerly matters: my interview with the one and only China Miéville will be published in Origin Magazine later this fall—probably the November issue. You’ll want to hear about the very cool project he’s been working on!

March Madness

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I started off March going to NYC for Armory Arts week. It was four days of art ogling, first going to see the Amory show, then on to Volta and Scope.  My first day there I got to have lunch with Ellen Kushner and Katherine Pendill, where we talked about all things Interstitial.The wonderful artist Lia Chavez hosted me for a few days, while Trine Bumiller and Carla Gannis became my guides through galleries and after parties (which lasted long into the night and somehow always ended with dancing).

I came back, finished my essay on portrait artist extraordinaire Jenny Morgan, graded, taught, and then packed up and went to the International Conference on the Fantastic in the Arts in Orlando, Fl. There I spent another four days with writers, scholars, and artists talking about all things fantastic, grotesque, monstrous, and uncanny. Jeff and Ann VanderMeer’s Weird Fiction Review did a special “12 Days of Monsters” celebration week in honor of ICFA, for which I wrote about the grotesque menageries of Greg Simkins. My presentation on The Island of Dr. Moreau and the contemporary artist Patricia Piccinini went pretty well, given that it was at 8:30 in the morning (a ridiculous time for anyone to be awake). China Mieville, Kelly Link, and Jeffrey Jerome Cohen were the guests of honor, but that was just icing on the cake to spending time with Theodora Goss,  Maria Headley, Kat Howard, Ben Loory, Daryl Gregory, Ted Chiang, Deanna Hook, Karen Lord, and Charles Vess, and so many more wonderful writerly humans. I think Jeff  VanderMeer and Maria Headley both sum up the spirit of the conference in their posts: The Restorative Qualities of ICFA and  Strawberry Daiquiris Blended with Beast. I’ll be writing a more proper ICFA post for Fantasy Matters later this week.

Last, but not least, my short story “Evangelical Wonderland” came in out in Prick of the Spindle.

Alas, I’m still on the road. This coming weekend is the American Comparative Literature Association conference, and I apparently felt the need to do two conferences back to back. But this post has lots of lovely links for you to click on and read, so it should keep you busy for a little while.